A West Pennine Night

October is a funny month. It's that part of autumn where things really begin to change. Leaves crunching under feet as they drop from the trees, the beautiful colours of September already forgotten; the first cold snap and waking to winter's jewles as the frost turns the morning dew in to green-white sticks of frozen blades of grass.

Not this year though.

October the first had come with almost every leaf still remaining on the tree.  The first frost still weeks away.  The September storms only now arriving in November.  Instead we were treat with unseasonably settled warm weather. Some nice clear cloudless skies meant that it was great time to get out with the camera.

At this point I should sort of explain something.

This night I was planning to head out to Hollinshead Hall to shoot some scary pictures of the Well House.  Normally, I'm really happy with being in the woods or on the moorlands at night on my own.   If truth be known I am more at home in the wilderness at night on my own than I am in the towns and cities.   However, this night was different.  You see, Hollinshead Hall has a a bit of a reputation for all things paranormal and the ghost stories were quietly running round my head as I was walking down the hall.  Being honest, I freaked myself out.  I really freaked myself out and aborted.  Chicken has nothing in it.

So I returned to where I had parked and noticed something really cool.  Over here in the UK we have light reflective units set in to the road known as cats' eyes.  The cool thing with the ones that were set in to this road is that they are LED lights.  They are permanently lit.  So I quickly came up with an idea.  Cats' eyes, car light trails and stars.  What more could a photographer playing with light painting ask for.  I took a few shots and quickly got bored.

So I decided I would move on.   I've had an idea of shooting Darwen Tower at night for a while.  However, on my own it would be impossible to get the shot that I want.  That being said a nice starry, clear night is something of a rarity at this time of year in Lancashire so I thought it would be a good opportunity to a few test shots.  I have to admit I love the results. It has spurred me on to create the shot that I actually want.  I just need the weather to play a bit now!!!

And then came the snow!

January had been quite warm and dry but then came the snow; and did it.  For once we had quite a decent coverage but not too much to cause havoc as it quite often does here.

I have an interest in images that are quite minimal.  I like dead space and of course I like monochrome photography.  So it was the perfect time to go out with my camera.

I drove around a bit looking for an image and couldn’t find anything I really liked.  Eventually I ended up in Barley struggling for inspiration.  I then remembered a shot that I had taken in the past at nearby Newchurch.  The shot was already done in monochrome previously but the days conditions meant that it would work well.  So I set off in that direction.

I first stopped off at a plantation near Barley Bank Farm.  I quote like the idea of something disappearing deep in to the photograph and I thought that this work well.   It does, sort of.  The image also has an appearance of being monochrome when actually it is full colour.

In the end I got to the location and it couldn’t have been more perfect.  The snow was pristine and the sky was grey.  Nice for subtle changes in colour.  Dialling in a bit of exposure compensation would mean that the snow would be almost paper white and the image would contain all the shades of grey (not just 50!) through to almost black.

A bit of fine tuning in Lightroom meant I had one of the most beautiful images I have ever made.

Snow photography is interesting.  You either go for an images that is real and as a result you’ll have a blue-ish cast to the image or you dial in exposure composition and have white snow.  At the time I wrote about this for Pixel Magazine.

Incidentally, I do tend to print the images I make and I like.  This one prints gorgeously!

Still January

January was quite a productive month.  A few days after shooting the Lancashire Coats a few friends and I had a night out round Blackburn.  I had sort of pre-visualised a shot that I wanted to try and so off we went to a back alley.

I have to admit I have got in to the habit of planning shots and collating ideas.  These are kept in a little A5 notebook that is pretty much always with me.

In there are notes on techniques, sample images, film data even a bit of journal.  The other thing that I do is sketch out ideas and lighting diagrams.

Yesterday I talked about the essay leading you rather than you leading the essay sometimes a shot does exactly the same.  It's easy drawing a lighting diagram away from the location. When you do get on site sometimes things just alter.  I suppose I should do some more research rather than relying on memory but hey ho!

So here is a posh selfie shot and the lighting diagram so you can see the difference!

Back to the Coast

After the hustle and bustle of Christmas was out of the way it was time to return to the coast to try and make a little progress on Lancoast.

I started Lancoast at Lytham last year and that shoot had gone well.  In August of 2014 I had visited Blackpool and had struggled with that.  Making a monochrome image there was difficult.  My eye kept looking for the colourful and garish instead of focusing on producing a monochrome image.

So the return to Lancoast was to start in Blackpool.  This time the shoot went well.  I managed to get a couple of shots that would make nice monochrome images.  I felt enthused again.

Starting quite early in the morning and knowing what I wanted pretty much meant that I was done in Blackpool within an hour.  The next stop was Cleveleys.  I’d seen some images of Mary’s Shell and that was something I wanted in the essay.  So off I went.  On the way there I came across a roundabout that had a cheeky little character peeping out from behind the cover.  It’s made quite a nice shot although it wouldn’t work in black and white.

Next up was Fleetwood.  I got a couple of cracking shots there.  My favourite being of the England house.

I’m a planner.  I like to plan my shots and projects quite carefully but what you find is that when you do start shooting they take you on a journey.  I’ve found that if you fight the journey and stay true to your original idea and planning then you end up with something that seems a bit more contrived, somehow less real.  If you go with it you end up with a far better end result and you also genuinely learn something along the way.

Originally Lancoast was set to be a wholly monochrome essay but by going on the journey it has become something else.  The main focus will still be monochrome.  At the end of the day the outcome has always been to produce a set of salt prints form the images and that is still the case.  However, now it will also have a colour element to it.  It maybe that I transfer the digital files to film and then process them as colour prints.  Don’t know haven’t decided yet.  We’ll have to see where the journey takes me.

Long Time Posting

Its been ages since I last posted.  At the moment I class myself as an amateur photographer.  Why?  well at the moment I don't make the bulk of my earnings from my photography.  Not that there is anything wrong with being an amateur in fact some of the amateur photographers I know are more talented and more professional in the way they go about their photography than those that make a living and in some cases a very comfortable living from the art form.

The problem with being an amateur is time.  You have to balance your photography with family life and work that means sometimes the photography side of your life gets put on the back burner a little.  So lets go right back to when I last posted to see what I've been up to.

Well December so my return to Pendle's Mayors' Bit of a Do event.  This event is organised by Pendle Council staff on behalf of the Mayor of Pendle and is for the pensioners of the Borough.  Its a lovely little Christmas event and is often the highlight of the year calendar for some people that would otherwise be lonely.

My role during the event is to document people that are there and some of the acts that perform.  The first year I did this I found it quite a challenge now I don't find it that difficult.  In fact I think I've got this stage photography thing pretty much down.  My camera performs well at high ISO's required
for working in dark environments.  The stage light are quite bright so spot focusing is a must and often the ISO stays quite low.  The difficulty I have with this subject is predicting those little moments that make the photograph special.  So instead of slowing down like I do with film I tend to shoot quite a few shots and then narrow them down in the editing stage.  I don't particularly like working like this but it does get the shot.

When I'm documenting this type of event I have to be really careful that  I don't go all Martin Parr.  I like the that Martin Parr documents life.  He is sometimes described as being quite sarcastic however, I think he has a tendency to tell the story as it is.  Have a look at his essay The Last Resort.  Anyway  I caught two images that I felt were good.  The first image I think is a comment on old age.  The second is a little moment between the Mayor and Mayoress.

Is this something that I would like to do professional?  I think not.  I love music and would love to shoot some events, but I think I would soon get bored of it pretty quickly.

The River

'Oh my God!' A damp feeling ran down the shin and calf of my right leg. The cold shooting through my body was intense like being wrapped in a blanket of ice. It could not have been worse than if I had been slapped in the face with a wet trout.

A welly filling with ice cold river water in the middle of December is probably not anybody's idea of fun. Well, perhaps only fishermen and photographers. It's funny, now that I sit here at my desk I remember just how cold it was. At the time getting home, the comfort of central heating and a few hot chocolates quickly dissipated the memory.

It was on a whim that I visited the waterfalls of Earby. I didn't have any particular shot in mind. The only thing that I had actually thought about was that I wanted to make exposure time quite long. By making long exposures the water becomes blurred and often gives an impression of movement throughout the picture.

When making landscape photographs I tend to start with a very wide view taking in as much of the scene as possible. After a while I begin to settle in to what I am doing and see the micro landscapes and abstracts that I actually find infinitely more interesting than that of the whole. I guess I like details.

A few hours sat at my PC and the cold amnesia had firmly set in. The collection of images I had made were good. In fact it is fair to say that an abstract from the set is one of my favourite photographs I have ever made. I should really find a way of making a nice print of it.

The thing is shooting something like this is a really bad idea for me. I don't really tend to work in single images. I actually prefer to make essays. That is a collection of photographs that tell a story. So when I see something that is beginning to work it tends to start the steam engine to whir the cogs of my brain and the Christmas holidays gave me plenty of time to think.

Taking these shots also coincided with me reading Ted Hughes book of poetry on the River Dart in Devon. Each poem is accompanied by a photograph by Peter Keen. So it was no surprise that my brain went into overdrive. However, there was no chance I was going to attempt to write poems to go with my images. It's one thing writing an article for my blog or a magazine but a completely another world writing poetry and I don't think my command of the English language extends that far.

The festive season came and went and the idea of The River had firmly set in. As with all my ideas for essays the initial idea behind the project had started off too big. Originally the subject of The River was going to be the River Ribble but with a timescale of nine months this was not going to be possible and so I had a re-think. The answer to the brainstorming session was to document a river that was and continues to be much closer to my heart; one that I could visit easily when I had a spare hour or so; the answer was Colne Water.

Colne Water is a river that stretches around five miles from the hamlet of Laneshawbridge, through the town of Colne and ends in the village of Barrowford. Unlike the Ribble it has a very definite start and finish. Very much like the Ribble it has a variety of landscape characteristics from rural through urban fringe, industrial and back to urban fringe.

It turned out to be a good time to document this river. Major changes to it were about to happen. Some of the wiers were removed to allow breeding salmon upstream. No bad thing at least not in my book. Also permission has just been sought to generate electricity from another part of the river. Again, in my opinion no bad thing. And then there was also the demolition of the mill at Waterside.

I tend to take some test shots before I settle in to producing an essay properly. It quickly became apparent that I had found a look to the images that I was happy with. This wasn't going to be about big beautiful landscapes taken during the time of days referred to as the ‘golden hours’ (that is sunrise and sunset). It wasn't going to be about the wildlife of the water course and although there would be some small space for it within the essay the final piece would be more abstract than that.



Beth Derbyshire & The Ark

I began shooting the images that would be included in the final piece without an idea what the final presentation of the piece would be. In general when I start out shooting an essay, I only have a vague idea of what the finished piece will be like. This usually evolves and clears as the process of making photograph continues along. In terms of The River the final piece would become an audiovisual presentation.



Model of The Ark

Some time ago I got involved with Beth Derbyshire’s Ark. This was a converted canal barge that travelled up and down the Leeds Liverpool Canal showing a multi-screen video installation and this proved to be an influence on my final piece. Not having access to multiple screens or projectors I decided that I would create slides with a series of interchanging images from up and down the river. The soundtrack to the imagery would be a soundscape created by recording my walk along the river bank. This hopefully meant that the viewer would be immersed in sights and sounds that I was seeing and hearing.

The River is made up of around 70 images most of which are quite abstract or show some small detail often missed by someone walking along the course of Colne Water. There are some images of the landscape that it sits in; there are some photographs that document some of the wildlife; some are quite pretty; others are quite hard to look at.

The River was never going to be a beautiful celebration of a prized landscape feature. It was always intended to show the viewer how nature and man affect the landscape in a warts and all manner. I think it achieves this.

Heptonstall - Still Messing with Film

I think I wrote previously that I had been ill for several months this year and this has taken its toll on my productivity levels.  A quick way of telling how little work I have done is the amount of film I have lying around.  I still have the majority of my stock of Superia 400 waiting to be used on Laundry; I've got several rolls of Fujicolour 200 and a roll of FP4+ rolling around my camera bag.  There is also nearly a full box of 4x5 sheet film still sat in the fridge.  On top of this I had a part used roll of Ilford's FP4+ in my K1000.  In fact it had been in there quite a while.  It was time to use it up.

I decided I would have a little trip to the nearby village of Heptonstall.  I had been meaning to do this for ages.  So while I had a roll of film to use on nothing in particular, I thought I would take a visit.

Heptonstall is quite a large village on the Yorkshire side of the border with Lancashire.  As far as remote goes in England it is quite remote being, that it is set quite high up in the Pennines  and is quite distance from any major towns or cities.   This probably one the reasons that it has stayed the way it has for many a year.

Even being so close to where I live and work, I had never heard of it until a couple of years ago.  Heptonstall first came into my consciousness through the work of Fay Godwin.  Godwin struck up a life long friendship with poet Ted Hughes.  Hughes collaborated with Godwin on a book of poems and photographs entitled The Remains of Elmet.  The poems were a reflection of Hughes' growing up and life in Heptonstall which lies in the ancient former kingdom of Elmet.  Each poem was accompanied by one of Godwin's' photographs.  The combination of these two extrodinary talents meant that visiting Heptonstall would appear on my to do list.  It would be remiss of me to mention that Heptonstall is also the final resting place of American poet and Hughes' wife, Sylvia Plath.

As it turned out this wouldn't be the last time that Hughes would have an influence on me.  His collaboration with another photographer, Peter Keene on River would lay the foundation stones for my project The River (more on this in the very near future).

Anyway, I managed to find a bit of time to visit and I have to admit I found the place captivating.  It certainly lends itself to photography and in particular film photography.  The centre of the village could be straight out of 1940's inspired film set.

It’s definitely a place that I must visit again and spend a bit more time photographing.  The shots into this post were shot on FP4+ rated at 50 ASA and developed in D74.

The River - I can't believe I have written about this!!!

Quite some time ago I wrote a series of posts regarding an essay I was working on called The River.  I actually completed the essay a while ago but apart from showing it a Blackburn Camera Club, I omitted to do anything else with it.  I think I just got caught up with getting shows ready and starting new bodies of work.

Anyway,  I've finally got round to posting the final AV presentation on YouTube and each of the stills are on my flickr page.  There is more to this story but that will come in the very near future.

Messing with a purpose

The last few months have been hard.  A bout of illness has left me feeling uninspired and a tad unproductive.  Yes, I've done a little and I believe I have done it well but trying to find the motivation to pick up at least one of my cameras has been a challenge.  It's a rarity that rolls of film that have been put in my bag to shoot with haven't left the canisters they came in.

On Monday, I visited my camera club well, I say my camera club, we were actually visiting Darwen as one of our joint evenings.  The guest speaker was Barry Payling.  Barry is a well respected photographer who shies away from digital and continues to shoot with his Hasselblad on Velvia film.  Not only that he shows his slides (real ones, not digital) on a Hasselblad projector.  Barry proved to be a good speaker with some very nice images.  Not everything was to my taste but there were some that I did enjoy.  The most important thing about Monday night, for me, was seeing my photography friends again.  It has given me the kick up the backside that I needed.  So, this week, while the weather was nice I actually managed to get out and shoot some pictures.  Nothing too serious, just messing really but messing with a purpose.

I’m not sure if it’s time to get back working on my essays again.  It might be a little too soon but as things improves it will come back around.  For now, it was nice to to shoot.

The rest can be seen here.

Lee Johnson Photography hits the road!

Former president of Blackburn & District Camera Club and Editor of Pixel the online Photography Magazine for Pennine Lancashire, Lee Johnson sets out on to the lecture circuit for the first time.

Lee is no stranger to delivering talks and lectures and offers a range of lectures to suit anyone with any interest in photograph and local history.

Subjects for 2014/15 Lectures include:

• Remnants - A look at mans impact on the Pennine Lancashire landscape from the use of stone throughout the ages.  This consists of mainly monochromatic documentary landscape images and lasts around 1.5 hours.  This talk can be extended to include elements of processing techniques to get 'the Remnants look.'
• The River - The River is a documentary essay on the course of Colne Water.  It consists of a lecture lasting approximately an hour followed by an audio-visual presentation of the essay.  This lecture can be adapted to talk about audio-visual presentations.
• Photo-Essays  - A light-hearted look at photo-essays and telling stories through photography. This includes advice on photo-books and desk-top publishing and producing AV's.  Approximately 1.5 - 2 hours.

All lectures can be tailored to suit your individual club needs.  Email us for details.

The Trouble with Essays

St. Anne's Beach

The trouble with working on essays is that it is all absorbing to a greater extent when you are working on two at the same time.

 

It's fair to say that Laundry is pretty straight forward and takes care of itself.  The images are straight forward and as I do not process my own colour film that is one less thing I have to deal with.  In fact, if I'm perfectly honest it is even simplar that shooting on digital as you have no post processing to deal with.

 

Lancoast is another beast entirely.  I do all my own processing on this one and there has been a big experimental phase with the capture process.  It has taken a long time to get to the stage where I feel ready to go outn and shoot the images that I want and I'm still undecided about how I go about doing it!

 

Of course I run the blogs for both essays.  I do this for a couple of reasons.  Firstly, it gives each essay it's own identity and doesn't let them get swallowed up in my usual body of work; secondly, it serves as an aide memoir to me.  At some point I will talk about the essays and these blogs will provide a useful reference; lastly some readers may only be interested in certain aspects of my work, film or pinhole cameras for examples.

 

This years choice of essays has meant that I have been greatly engrossed in that work and it has left very little time for other stuff.  However, the other week I managed to get out and take a stroll in one of my favourite woodlands and came back with some nice digital shots.

 

With Lancoast and Laundry being all consuming it has meant that this little blog here has been somewhat neglected so I thought I would share some of the woodland pics here more of the can be seen on my flickr page.

 

 

Messing about with Photoshop

The other night I decided to revisit some shots that I took at Widdop the other week.  There is nothing wrong with the original shot.  In fact, I actually like it.  What I was interested in doing was trying to see if I could emulate a pinhole camera using Photoshop.

In fact, I ended up using two programs to get somewhere near the look I wanted.  I also used a Fuji Velvia 50 filter with the grain from a Superia 400 fulter in DXO Super Film Pack 3.

Will I give shooting pinhole and do it the easy way in Photoshop?  Will I hell!  It's nowhere near the same but out of interest I think I'm going to have this lightjet printed.  Just our of interest and experimentation.

New prints available from online gallery

A selection of landscape prints are now available from my online gallery at Photobox.  Two sizes are available and the option of matt or gloss finish.

These prints are printed at their end and I have no control over the final print.  This has been reflected in the price.

I do offer absolutely beautiful wet printed photographs.  These are finished individually to the highest standard possible.  As a result they are slightly more expensive and take a little longer to produce but the finished results are well worth it.  Email me for details.

If you can't wait and your happy with a digital print then visit my on-line gallery at Photobox.

Being Multi-disciplined

Most photographers have a passion for one particular area or genre of photography, others try a bit of everything and as a result of this master any.

I like trying new things.  I like trying new techniques but I quickly find that I'm bored and return to my two favourite disciplines, nature (in this I include landscape and wildlife) and documentary.  I just guess it is where I am comfortable, where I am home.

Falling in to place

Sometimes everything just falls in to place.

If anything I would consider myself a documentary photographer.  The truth is I like to work on stories and essays rather than single shots.  Don't get me wrong, I do think a single shot can tell a story very well and I do take single shots to keep up with practice.  After all practice does make perfect.

Sometimes though everything falls in to place to make an excellent single shot.  It might be the right light at the right time casting the right shadow.  It maybe a person stood under a sign that makes a witty tale or sometimes it could be something really obscure.  Just like I came across today.  I think the picture says it all.

I suppose this is the ultimate in open plan living.  Now where is the kettle?

By the way.  This is real!  No photoshop, no dragging furniture in to the countryside!

Finding Treasure

Roe Lee Park Pavilion - Pracktica MTL3.

Ilfodata B, ASA 25, f16. Developed in Rodinol1:300, 30 minutes

A while ago I was given a box of old photography junk.  Most people would have thrown it away but I had a rumage through it and found some useful stuff.  Some I'm actually using!  A couple of old bakelite 35mm developing tanks, bits of measuring stuff, some reusable 35mm film canisters (for hand rolling.  Film not tobacco!) and a couple of rolls of Ilford HP5+; all good usable stuff.

There was also a sealed tin with white tape round it.  On the tin it was marked Ilfodata B made by Ilford.  If what was on the tin was right, this was 100ft of 35mm film.  Guess what? I was quite excited!

Off in to the reading room, I mean darkroom, I mean bathroom (it's multi-functional!).  I shut the door and carefully opened the tin and sure enough, there in the dark, I could feel a roll of film!!!  So I snipped a bit off and rolled a short length.  I gave this to Bob to have a play with.  He's more experienced than me with weird stuff.

After searching the internet we could not find any information on this.  We found one article on Ilfodata HS something or other which was made by Ilford for copying documents.  We had an inkling that the film we have is for something similar.

So we were still in the same boat.  We had absolutely no information about this film; what it’s ASA (ISO) rating was, how to shoot with it or even how to process it.  Bob thought it might be ‘contrasty’ with being a document film but also thought that the developer pyrocat would sort it out.

Assuming that this was the last 100ft of this film in existence (that we know of.  There is none on eBay or in of the places where we know to get weird stuff from) we thought we should contact Ilford and see what information they held.

They basically knew as much as we did.  They thought it was manufactured somewhere in the 1970’s (which we gathered from the design on the tin) and suggested an Ilford developer that we probably wouldn’t use anyway.

So back to square one!

Pracktica MTL3 with Pinhole lens on.

This weekend I decided to bite the bullet and shoot a little bit and try developing it.  I have to admit, my knowledge of handling film is limited but I am learning all the time.  Back when I shot film, I mostly shot colour and sent it to a lab.  I dabbled a bit with processing black and white but didn’t go beyond a couple of rolls.  So, I’m on a learning curve of chemicals, techniques and working in the dark!  It’s fun.  I mean really fun!

Friday night I rolled enough film to shoot five frames.  I had the idea that I would try shooting with a 35mm pinhole again.

Come Saturday morning I nipped down to Roe Lee Park to shoot the pavilion there.  It has sort of become my test subject!

I shot one frame with my 50mm lens at ASA25, f16, couldn’t tell you the shutter speed but I think it’s around 1 second maybe ½.  I then shot one at 5 seconds to try and take in account reciprocity.  I then changed the lens and put a 43mm pinhole lens on and finally a 75mm pinhole.

During the evening, I re-read the article on the HS and one thing jumped out at me.  The author had said that the film was similar to Kodak Technical Pan.  I went on Massive Dev Chart and look up Technical Pan Developing times.  At least I would have a starting point and could mess with development on the results of this short length.  I’d nothing to lose.  There sure enough was Rodinol, 1:300 for rating ASA25.  Excellent.  I could do this.  I mixed up the chemical and began the process.  40 minutes later and I was on the final wash.  A bit nervous I peel the film off the reel.

Wow, was my response.  The photograph made with the lens on was stunning.  I could see every tile, every mortar joint in the building.  The negative look gorgeous.

The pinhole isn’t  quite right but it’s getting there!  These are scans of the negative.  For some reason the scanner has cropped the top of the building off on but it gives an idea.  The neg is so much better though!

Updating

Tonight I've posted on Laundry about my experiences with a scanning negatives and on Lancoast I've written about my continued experiments with 35mm pinhole cameras.

Why not call in and have a read!

A trip with a Trip

Ghyll Cemetery

Just before Christmas I bought some Kentmere 400 film.  Basically to try it out and I have to say, I am impressed.  It’s a lovely film for the price.  Yeah, I’m impressed.

A couple of weeks ago, I put the film in to my little Olympus Trip 35 and started shooting with it.  Nothing in particular but just trying the film and getting used to the camera.



A Nelson Street

I love the Trip.  It’s such a fantastic design and beautifully built.  The images from it are lovely too.

So, just taking my time shooting a little randomly slowly started to fill the roll up.  Even Eve, my daughter took it out and had a go at shooting with it!  She did pretty good as well!



Griffin Manor

First up was a stop off a Ghyll Church and Cemetery and Barnoldswick.  Some nice little shots came off from that.

Then there was pulling my camera out of the bag at the camera club.  Just for a little documentary type shot.

One grab shot in Nelson which I think has a nice social commentary without having people in it and finally, a little walk around Griffin Park, Blackburn.

To see the shots and other shots with the trip visit my flickr set here.

Lancoast

As well as working on Laundry, I am also working on a second essay entitled Lancoast.

Lancoast is an exploration of the Lancashire Coastline through the medium of photography.  At the moment it is very much in the planning phase.  But the general idea is to shoot monochromatic coastal landscapes on a pinhole camera and use alternative processes to develop film and create prints.

At the moment I'm experimenting with film and various cameras to see what I can achieve before heading to the coast to shoot some images.

Like Laundry, Lancoast has its own blog.  It can be found here.  Why not stop by and have a look.

Laundry

I've decided to expand my Laundry project in to a full essay.  This will be updated on a regular basis on it's own blog page.  This can be found here.