Heptonstall - Still Messing with Film

I think I wrote previously that I had been ill for several months this year and this has taken its toll on my productivity levels.  A quick way of telling how little work I have done is the amount of film I have lying around.  I still have the majority of my stock of Superia 400 waiting to be used on Laundry; I've got several rolls of Fujicolour 200 and a roll of FP4+ rolling around my camera bag.  There is also nearly a full box of 4x5 sheet film still sat in the fridge.  On top of this I had a part used roll of Ilford's FP4+ in my K1000.  In fact it had been in there quite a while.  It was time to use it up.

I decided I would have a little trip to the nearby village of Heptonstall.  I had been meaning to do this for ages.  So while I had a roll of film to use on nothing in particular, I thought I would take a visit.

Heptonstall is quite a large village on the Yorkshire side of the border with Lancashire.  As far as remote goes in England it is quite remote being, that it is set quite high up in the Pennines  and is quite distance from any major towns or cities.   This probably one the reasons that it has stayed the way it has for many a year.

Even being so close to where I live and work, I had never heard of it until a couple of years ago.  Heptonstall first came into my consciousness through the work of Fay Godwin.  Godwin struck up a life long friendship with poet Ted Hughes.  Hughes collaborated with Godwin on a book of poems and photographs entitled The Remains of Elmet.  The poems were a reflection of Hughes' growing up and life in Heptonstall which lies in the ancient former kingdom of Elmet.  Each poem was accompanied by one of Godwin's' photographs.  The combination of these two extrodinary talents meant that visiting Heptonstall would appear on my to do list.  It would be remiss of me to mention that Heptonstall is also the final resting place of American poet and Hughes' wife, Sylvia Plath.

As it turned out this wouldn't be the last time that Hughes would have an influence on me.  His collaboration with another photographer, Peter Keene on River would lay the foundation stones for my project The River (more on this in the very near future).

Anyway, I managed to find a bit of time to visit and I have to admit I found the place captivating.  It certainly lends itself to photography and in particular film photography.  The centre of the village could be straight out of 1940's inspired film set.

It’s definitely a place that I must visit again and spend a bit more time photographing.  The shots into this post were shot on FP4+ rated at 50 ASA and developed in D74.

The River - I can't believe I have written about this!!!

Quite some time ago I wrote a series of posts regarding an essay I was working on called The River.  I actually completed the essay a while ago but apart from showing it a Blackburn Camera Club, I omitted to do anything else with it.  I think I just got caught up with getting shows ready and starting new bodies of work.

Anyway,  I've finally got round to posting the final AV presentation on YouTube and each of the stills are on my flickr page.  There is more to this story but that will come in the very near future.

Messing with a purpose

The last few months have been hard.  A bout of illness has left me feeling uninspired and a tad unproductive.  Yes, I've done a little and I believe I have done it well but trying to find the motivation to pick up at least one of my cameras has been a challenge.  It's a rarity that rolls of film that have been put in my bag to shoot with haven't left the canisters they came in.

On Monday, I visited my camera club well, I say my camera club, we were actually visiting Darwen as one of our joint evenings.  The guest speaker was Barry Payling.  Barry is a well respected photographer who shies away from digital and continues to shoot with his Hasselblad on Velvia film.  Not only that he shows his slides (real ones, not digital) on a Hasselblad projector.  Barry proved to be a good speaker with some very nice images.  Not everything was to my taste but there were some that I did enjoy.  The most important thing about Monday night, for me, was seeing my photography friends again.  It has given me the kick up the backside that I needed.  So, this week, while the weather was nice I actually managed to get out and shoot some pictures.  Nothing too serious, just messing really but messing with a purpose.

I’m not sure if it’s time to get back working on my essays again.  It might be a little too soon but as things improves it will come back around.  For now, it was nice to to shoot.

The rest can be seen here.

Lee Johnson Photography hits the road!

Former president of Blackburn & District Camera Club and Editor of Pixel the online Photography Magazine for Pennine Lancashire, Lee Johnson sets out on to the lecture circuit for the first time.

Lee is no stranger to delivering talks and lectures and offers a range of lectures to suit anyone with any interest in photograph and local history.

Subjects for 2014/15 Lectures include:

• Remnants - A look at mans impact on the Pennine Lancashire landscape from the use of stone throughout the ages.  This consists of mainly monochromatic documentary landscape images and lasts around 1.5 hours.  This talk can be extended to include elements of processing techniques to get 'the Remnants look.'
• The River - The River is a documentary essay on the course of Colne Water.  It consists of a lecture lasting approximately an hour followed by an audio-visual presentation of the essay.  This lecture can be adapted to talk about audio-visual presentations.
• Photo-Essays  - A light-hearted look at photo-essays and telling stories through photography. This includes advice on photo-books and desk-top publishing and producing AV's.  Approximately 1.5 - 2 hours.

All lectures can be tailored to suit your individual club needs.  Email us for details.

The Trouble with Essays

St. Anne's Beach

The trouble with working on essays is that it is all absorbing to a greater extent when you are working on two at the same time.

 

It's fair to say that Laundry is pretty straight forward and takes care of itself.  The images are straight forward and as I do not process my own colour film that is one less thing I have to deal with.  In fact, if I'm perfectly honest it is even simplar that shooting on digital as you have no post processing to deal with.

 

Lancoast is another beast entirely.  I do all my own processing on this one and there has been a big experimental phase with the capture process.  It has taken a long time to get to the stage where I feel ready to go outn and shoot the images that I want and I'm still undecided about how I go about doing it!

 

Of course I run the blogs for both essays.  I do this for a couple of reasons.  Firstly, it gives each essay it's own identity and doesn't let them get swallowed up in my usual body of work; secondly, it serves as an aide memoir to me.  At some point I will talk about the essays and these blogs will provide a useful reference; lastly some readers may only be interested in certain aspects of my work, film or pinhole cameras for examples.

 

This years choice of essays has meant that I have been greatly engrossed in that work and it has left very little time for other stuff.  However, the other week I managed to get out and take a stroll in one of my favourite woodlands and came back with some nice digital shots.

 

With Lancoast and Laundry being all consuming it has meant that this little blog here has been somewhat neglected so I thought I would share some of the woodland pics here more of the can be seen on my flickr page.

 

 

Messing about with Photoshop

The other night I decided to revisit some shots that I took at Widdop the other week.  There is nothing wrong with the original shot.  In fact, I actually like it.  What I was interested in doing was trying to see if I could emulate a pinhole camera using Photoshop.

In fact, I ended up using two programs to get somewhere near the look I wanted.  I also used a Fuji Velvia 50 filter with the grain from a Superia 400 fulter in DXO Super Film Pack 3.

Will I give shooting pinhole and do it the easy way in Photoshop?  Will I hell!  It's nowhere near the same but out of interest I think I'm going to have this lightjet printed.  Just our of interest and experimentation.

New prints available from online gallery

A selection of landscape prints are now available from my online gallery at Photobox.  Two sizes are available and the option of matt or gloss finish.

These prints are printed at their end and I have no control over the final print.  This has been reflected in the price.

I do offer absolutely beautiful wet printed photographs.  These are finished individually to the highest standard possible.  As a result they are slightly more expensive and take a little longer to produce but the finished results are well worth it.  Email me for details.

If you can't wait and your happy with a digital print then visit my on-line gallery at Photobox.

Being Multi-disciplined

Most photographers have a passion for one particular area or genre of photography, others try a bit of everything and as a result of this master any.

I like trying new things.  I like trying new techniques but I quickly find that I'm bored and return to my two favourite disciplines, nature (in this I include landscape and wildlife) and documentary.  I just guess it is where I am comfortable, where I am home.

Falling in to place

Sometimes everything just falls in to place.

If anything I would consider myself a documentary photographer.  The truth is I like to work on stories and essays rather than single shots.  Don't get me wrong, I do think a single shot can tell a story very well and I do take single shots to keep up with practice.  After all practice does make perfect.

Sometimes though everything falls in to place to make an excellent single shot.  It might be the right light at the right time casting the right shadow.  It maybe a person stood under a sign that makes a witty tale or sometimes it could be something really obscure.  Just like I came across today.  I think the picture says it all.

I suppose this is the ultimate in open plan living.  Now where is the kettle?

By the way.  This is real!  No photoshop, no dragging furniture in to the countryside!

Finding Treasure

Roe Lee Park Pavilion - Pracktica MTL3.

Ilfodata B, ASA 25, f16. Developed in Rodinol1:300, 30 minutes

A while ago I was given a box of old photography junk.  Most people would have thrown it away but I had a rumage through it and found some useful stuff.  Some I'm actually using!  A couple of old bakelite 35mm developing tanks, bits of measuring stuff, some reusable 35mm film canisters (for hand rolling.  Film not tobacco!) and a couple of rolls of Ilford HP5+; all good usable stuff.

There was also a sealed tin with white tape round it.  On the tin it was marked Ilfodata B made by Ilford.  If what was on the tin was right, this was 100ft of 35mm film.  Guess what? I was quite excited!

Off in to the reading room, I mean darkroom, I mean bathroom (it's multi-functional!).  I shut the door and carefully opened the tin and sure enough, there in the dark, I could feel a roll of film!!!  So I snipped a bit off and rolled a short length.  I gave this to Bob to have a play with.  He's more experienced than me with weird stuff.

After searching the internet we could not find any information on this.  We found one article on Ilfodata HS something or other which was made by Ilford for copying documents.  We had an inkling that the film we have is for something similar.

So we were still in the same boat.  We had absolutely no information about this film; what it’s ASA (ISO) rating was, how to shoot with it or even how to process it.  Bob thought it might be ‘contrasty’ with being a document film but also thought that the developer pyrocat would sort it out.

Assuming that this was the last 100ft of this film in existence (that we know of.  There is none on eBay or in of the places where we know to get weird stuff from) we thought we should contact Ilford and see what information they held.

They basically knew as much as we did.  They thought it was manufactured somewhere in the 1970’s (which we gathered from the design on the tin) and suggested an Ilford developer that we probably wouldn’t use anyway.

So back to square one!

Pracktica MTL3 with Pinhole lens on.

This weekend I decided to bite the bullet and shoot a little bit and try developing it.  I have to admit, my knowledge of handling film is limited but I am learning all the time.  Back when I shot film, I mostly shot colour and sent it to a lab.  I dabbled a bit with processing black and white but didn’t go beyond a couple of rolls.  So, I’m on a learning curve of chemicals, techniques and working in the dark!  It’s fun.  I mean really fun!

Friday night I rolled enough film to shoot five frames.  I had the idea that I would try shooting with a 35mm pinhole again.

Come Saturday morning I nipped down to Roe Lee Park to shoot the pavilion there.  It has sort of become my test subject!

I shot one frame with my 50mm lens at ASA25, f16, couldn’t tell you the shutter speed but I think it’s around 1 second maybe ½.  I then shot one at 5 seconds to try and take in account reciprocity.  I then changed the lens and put a 43mm pinhole lens on and finally a 75mm pinhole.

During the evening, I re-read the article on the HS and one thing jumped out at me.  The author had said that the film was similar to Kodak Technical Pan.  I went on Massive Dev Chart and look up Technical Pan Developing times.  At least I would have a starting point and could mess with development on the results of this short length.  I’d nothing to lose.  There sure enough was Rodinol, 1:300 for rating ASA25.  Excellent.  I could do this.  I mixed up the chemical and began the process.  40 minutes later and I was on the final wash.  A bit nervous I peel the film off the reel.

Wow, was my response.  The photograph made with the lens on was stunning.  I could see every tile, every mortar joint in the building.  The negative look gorgeous.

The pinhole isn’t  quite right but it’s getting there!  These are scans of the negative.  For some reason the scanner has cropped the top of the building off on but it gives an idea.  The neg is so much better though!

Updating

Tonight I've posted on Laundry about my experiences with a scanning negatives and on Lancoast I've written about my continued experiments with 35mm pinhole cameras.

Why not call in and have a read!

A trip with a Trip

Ghyll Cemetery

Just before Christmas I bought some Kentmere 400 film.  Basically to try it out and I have to say, I am impressed.  It’s a lovely film for the price.  Yeah, I’m impressed.

A couple of weeks ago, I put the film in to my little Olympus Trip 35 and started shooting with it.  Nothing in particular but just trying the film and getting used to the camera.



A Nelson Street

I love the Trip.  It’s such a fantastic design and beautifully built.  The images from it are lovely too.

So, just taking my time shooting a little randomly slowly started to fill the roll up.  Even Eve, my daughter took it out and had a go at shooting with it!  She did pretty good as well!



Griffin Manor

First up was a stop off a Ghyll Church and Cemetery and Barnoldswick.  Some nice little shots came off from that.

Then there was pulling my camera out of the bag at the camera club.  Just for a little documentary type shot.

One grab shot in Nelson which I think has a nice social commentary without having people in it and finally, a little walk around Griffin Park, Blackburn.

To see the shots and other shots with the trip visit my flickr set here.

Lancoast

As well as working on Laundry, I am also working on a second essay entitled Lancoast.

Lancoast is an exploration of the Lancashire Coastline through the medium of photography.  At the moment it is very much in the planning phase.  But the general idea is to shoot monochromatic coastal landscapes on a pinhole camera and use alternative processes to develop film and create prints.

At the moment I'm experimenting with film and various cameras to see what I can achieve before heading to the coast to shoot some images.

Like Laundry, Lancoast has its own blog.  It can be found here.  Why not stop by and have a look.

Laundry

I've decided to expand my Laundry project in to a full essay.  This will be updated on a regular basis on it's own blog page.  This can be found here.

New Exhibition Opens at ACE

A new exhibition of my work opened at the ACE Centre in Nelson this week.

Following on from the success of the Remnants show I felt it was time to hang some more pictures.

Over the last twelve months or so I have been working with haiku poet Sarah Lee to combine images and words together.  Sarah and I explored the three peaks of Pendle; Boulsworth, Weets and Pendle.  While I took photographs Sarah scribbled away pay close diligence to our surroundings, thoughts and feelings.  The result is the 15 piece show hanging in the ACE.

Each print is accompanied by a haiku poem; a form of Japanese poetry that is strict in form.

The show runs until the 31st of January.

Read more here.