Thursday, 26 June 2014

The Trouble with Essays

St. Anne's Beach
The trouble with working on essays is that it is all absorbing to a greater extent when you are working on two at the same time.
 
It's fair to say that Laundry is pretty straight forward and takes care of itself.  The images are straight forward and as I do not process my own colour film that is one less thing I have to deal with.  In fact, if I'm perfectly honest it is even simplar that shooting on digital as you have no post processing to deal with.
 
Lancoast is another beast entirely.  I do all my own processing on this one and there has been a big experimental phase with the capture process.  It has taken a long time to get to the stage where I feel ready to go outn and shoot the images that I want and I'm still undecided about how I go about doing it!
 
Of course I run the blogs for both essays.  I do this for a couple of reasons.  Firstly, it gives each essay it's own identity and doesn't let them get swallowed up in my usual body of work; secondly, it serves as an aide memoir to me.  At some point I will talk about the essays and these blogs will provide a useful reference; lastly some readers may only be interested in certain aspects of my work, film or pinhole cameras for examples.
 
This years choice of essays has meant that I have been greatly engrossed in that work and it has left very little time for other stuff.  However, the other week I managed to get out and take a stroll in one of my favourite woodlands and came back with some nice digital shots.
 
With Lancoast and Laundry being all consuming it has meant that this little blog here has been somewhat neglected so I thought I would share some of the woodland pics here more of the can be seen on my flickr page.
 

 

Sunday, 23 March 2014

Messing about with Photoshop

The other night I decided to revisit some shots that I took at Widdop the other week.  There is nothing wrong with the original shot.  In fact, I actually like it.  What I was interested in doing was trying to see if I could emulate a pinhole camera using Photoshop.

In fact, I ended up using two programs to get somewhere near the look I wanted.  I also used a Fuji Velvia 50 filter with the grain from a Superia 400 fulter in DXO Super Film Pack 3.

Will I give shooting pinhole and do it the easy way in Photoshop?  Will I hell!  It's nowhere near the same but out of interest I think I'm going to have this lightjet printed.  Just our of interest and experimentation.

Friday, 21 March 2014

New prints available from online gallery

A selection of landscape prints are now available from my online gallery at Photobox.  Two sizes are available and the option of matt or gloss finish.

These prints are printed at their end and I have no control over the final print.  This has been reflected in the price.

I do offer absolutely beautiful wet printed photographs.  These are finished individually to the highest standard possible.  As a result they are slightly more expensive and take a little longer to produce but the finished results are well worth it.  Email me for details.

If you can't wait and your happy with a digital print then visit my on-line gallery at Photobox.

Monday, 17 March 2014

Being Multi-disciplined


Most photographers have a passion for one particular area or genre of photography, others try a bit of everything and as a result of this master any.

I like trying new things.  I like trying new techniques but I quickly find that I'm bored and return to my two favourite disciplines, nature (in this I include landscape and wildlife) and documentary.  I just guess it is where I am comfortable, where I am home.


Wednesday, 12 March 2014

Falling in to place

Sometimes everything just falls in to place.

If anything I would consider myself a documentary photographer.  The truth is I like to work on stories and essays rather than single shots.  Don't get me wrong, I do think a single shot can tell a story very well and I do take single shots to keep up with practice.  After all practice does make perfect.

Sometimes though everything falls in to place to make an excellent single shot.  It might be the right light at the right time casting the right shadow.  It maybe a person stood under a sign that makes a witty tale or sometimes it could be something really obscure.  Just like I came across today.  I think the picture says it all.

I suppose this is the ultimate in open plan living.  Now where is the kettle?

By the way.  This is real!  No photoshop, no dragging furniture in to the countryside!

Monday, 10 March 2014

Finding Treasure

Roe Lee Park Pavilion - Pracktica MTL3.
Ilfodata B, ASA 25, f16. Developed in Rodinol1:300, 30 minutes
A while ago I was given a box of old photography junk.  Most people would have thrown it away but I had a rumage through it and found some useful stuff.  Some I'm actually using!  A couple of old bakelite 35mm developing tanks, bits of measuring stuff, some reusable 35mm film canisters (for hand rolling.  Film not tobacco!) and a couple of rolls of Ilford HP5+; all good usable stuff.

There was also a sealed tin with white tape round it.  On the tin it was marked Ilfodata B made by Ilford.  If what was on the tin was right, this was 100ft of 35mm film.  Guess what? I was quite excited!

Off in to the reading room, I mean darkroom, I mean bathroom (it's multi-functional!).  I shut the door and carefully opened the tin and sure enough, there in the dark, I could feel a roll of film!!!  So I snipped a bit off and rolled a short length.  I gave this to Bob to have a play with.  He's more experienced than me with weird stuff.

After searching the internet we could not find any information on this.  We found one article on Ilfodata HS something or other which was made by Ilford for copying documents.  We had an inkling that the film we have is for something similar.

So we were still in the same boat.  We had absolutely no information about this film; what it’s ASA (ISO) rating was, how to shoot with it or even how to process it.  Bob thought it might be ‘contrasty’ with being a document film but also thought that the developer pyrocat would sort it out.

Assuming that this was the last 100ft of this film in existence (that we know of.  There is none on eBay or in of the places where we know to get weird stuff from) we thought we should contact Ilford and see what information they held.

They basically knew as much as we did.  They thought it was manufactured somewhere in the 1970’s (which we gathered from the design on the tin) and suggested an Ilford developer that we probably wouldn’t use anyway.

So back to square one!

Pracktica MTL3 with Pinhole lens on.
This weekend I decided to bite the bullet and shoot a little bit and try developing it.  I have to admit, my knowledge of handling film is limited but I am learning all the time.  Back when I shot film, I mostly shot colour and sent it to a lab.  I dabbled a bit with processing black and white but didn’t go beyond a couple of rolls.  So, I’m on a learning curve of chemicals, techniques and working in the dark!  It’s fun.  I mean really fun!

Friday night I rolled enough film to shoot five frames.  I had the idea that I would try shooting with a 35mm pinhole again.

Come Saturday morning I nipped down to Roe Lee Park to shoot the pavilion there.  It has sort of become my test subject!

I shot one frame with my 50mm lens at ASA25, f16, couldn’t tell you the shutter speed but I think it’s around 1 second maybe ½.  I then shot one at 5 seconds to try and take in account reciprocity.  I then changed the lens and put a 43mm pinhole lens on and finally a 75mm pinhole.

During the evening, I re-read the article on the HS and one thing jumped out at me.  The author had said that the film was similar to Kodak Technical Pan.  I went on Massive Dev Chart and look up Technical Pan Developing times.  At least I would have a starting point and could mess with development on the results of this short length.  I’d nothing to lose.  There sure enough was Rodinol, 1:300 for rating ASA25.  Excellent.  I could do this.  I mixed up the chemical and began the process.  40 minutes later and I was on the final wash.  A bit nervous I peel the film off the reel.

Wow, was my response.  The photograph made with the lens on was stunning.  I could see every tile, every mortar joint in the building.  The negative look gorgeous.

The pinhole isn’t  quite right but it’s getting there!  These are scans of the negative.  For some reason the scanner has cropped the top of the building off on but it gives an idea.  The neg is so much better though!



Thursday, 6 March 2014

Updating

Tonight I've posted on Laundry about my experiences with a scanning negatives and on Lancoast I've written about my continued experiments with 35mm pinhole cameras.


Why not call in and have a read!